This is a responsibility and a reminder of the fact that Maska must not become another masked image of cultural sale. Maska is characterised by another feature: the concern for and the development of the young generation. In doing so, it never forgets the importance of historicising in performing arts and the inevitable transformation of society. Its position of understanding and analysing art, Maska also materialises in its educational seminars and in carefully selected, publicly presented interdisciplinary publications. What was written soon had to be realised through its own production that is, in theatre currents, especially prominent today. It provided space for theatre critique, direction, and their modern practices, thus persistently and consistently approaching the purpose and the quality of specialist periodicals. The beginnings are connected to the Maska journal from the early 1920s that offered the Slovenian theatre space room for a free-minded writing on various aspects of theatre.
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